The final image after manipulation deleting the legs, adding straw around the body and darkening the sky.ĭifficult images can have hair, thin strands or lattice work on fences. Masking the image is very easy with red for delete and green for keep.ĭrag a patch over the image to cut out. In the example below it only took five minutes to mark, patch and extract the horse. The red area in Fluid Mask doesn't transfer and regardless of the colour the background is set to, it will be transparent when merging with another image. Fine strands can be covered with the Blend brush which will highlight blue and clicking on the Preview will give an idea of how this will come out. If there are areas that are similar in contrast Fluid Mask can include them in the Keep area so a patch has to be created to cover those parts. The brush defaults to a large size but this can be amended using the slider at the top of the screen and once that is done, the Keep areas can be filled in. First thing is to colour in the Delete areas as they are bigger and therefore easier to do. Loading the image into Fluid mask automatically enables the program to scan the image for potential masking areas so the image will look like a paint by numbers image already coloured in. The Edge finding tool which allows you to adjust the value of what the mask finder will search for, an Edge blending tool for determining the size of the blend line between the Keep and Delete parts of the image and a tip box for help whilst you work which I think is a nice touch if this is your first time using the program. On the right are the Navigator which will show which portion of the image you are zoomed in on, for example. You can also change the background colour in case the colour of the subject is the same, perform the final Cut out, Change the Colour workspace or change the work window. Other brushes in your arsenal are an Eraser, a Blend brush which is a great tool for working with hair or fur, Patch tool to create an area over a particular part of the image to work in and gives a preview of what the cut out will look like, Forced edge tool which can be used to change or add a mask line by clicking areas where you want the line to go and double clicking to finish, Colour sampler which is generally used with images that have lattice work like a fence for instance and you can choose the colours to be blocked out without having to Delete the space manually, Preview, Clean tool for filling in small holes in the masked image, Select tool which selects patches and lines drawn using the forced edge tool, Hand tool to pan around the image when zoomed in and Zoom. Exact will either Keep or Delete the precise pixels you click on whereas Local will Keep or Delete the masked area that has been clicked on and Global will scan the image for pixels of the same colour and Keep or Delete those. The three types of brush are Exact, Local and Global. The green brushes are called the Keep brushes which will retain any parts of the image covered with that brush and the red ones are the Delete brushes which don't really need explaining. The top six are split into three different brushes of green and three red. On the workspace to the left are several tools which are dedicated to helping you create your masterpiece. If you are new to a program like this, there are three pages to the Image titled Source which is the original image, Workspace which is where you will work cutting the image out and Cut-out which will show the final image. Should you get confused by anything, the help screen on the website is very informative, easy to use and has tutorials for anything you may want to do. Loading the program is easy enough and once open, it is well laid out and easy to understand. If you have Photoshop, you can use Fluid Mask 3 as a plug in and version 3 is compatible with CS2 and CS3, but I decided to use it as a standalone program which is also possible. Vertus have always contested that it is not necessary and with version 3, it's faster than ever.įluid mask is on its third instalment and the upgraded version is now faster at working, blends edges better and has a Save settings feature for if you want to mask multiple images in a studio shoot for instance. All too often, it is easy to create a mask to copy an image over to paste two together and bits are missing or too much comes over and an hour of erasing is on the cards.
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